About to launch my new website that I made using Big Black Bag...
You may be able to check it out HERE... temporarily...
That and a show I was entering forced me to focus on a new "Artist Statement".
Here is my latest:
After spending many years of my life as a fashion and textile print designer, creating forms and fabrics for the human figure, I found clay.
I realized there was an entirely different creative and artistic world out there that I never could fully explore in my lifetime.
This was a world that was centered around mud.
My experience with this medium has been, and will always be, a journey.
It is something I have realized after many ups and downs since I first touched clay nine years ago.
I choose to work in a manner that stimulates me creatively.
Investigating and exploring, I may have an initial idea of where a piece is going.
But then I will veer off in a different direction to allow for a possible fresh approach or, unfortunately, a possible failure.
As Beatrice Wood said, "My life is full of mistakes. They're like pebbles that make a good road."
Moving from fashion and textile print design to “mud” was a transition I never could have predicted.
However, there actually is a thread that seems to connect my previous career with my work today.
This connection involves attention to the human form and gesture of line.
My work frequently involves a focus on this as well as the pervasive development of texture.
The human body, nature, and environment absolutely inspire me.
I am not interested in replicating these but, rather, to reinterpret their energy in my work.
My true passion is in the process of creating the work.
The hand-to-clay contact is both meditative and stimulating to my spirit.
I usually throw a form on the potter’s wheel, alter it, then allow for a period of drying.
After the drying, I continue to alter and carve interchangeably until the piece is complete.
The piece is usually bisque-fired in my electric kiln before any glazing or special firing preparations are made.
At this point I move forward with the final firing.
Experimentation remains present in this part of the process as well.
The work continues to change and evolve as I do.
Initially, I was particularly focused on creating functional forms.
Now, I have shifted to emphasizing the vessel as a sculptural vehicle.
I enjoy creating work that relates in a group, or vignette, as well as stands alone.
I envision my work going out into the world and finding its own place for others to enjoy its presence as much as I have enjoyed the process of its creation.
Here are a few more photos: